São vicente de fora

Mosteiro de São Vicente de Fora 
Horário | Opening Hours:
De 3ª-feira a Domingo | From Tuesday to Sunday
Das 10h às 18h (última entrada às 17h) | From 10 a.m. to 6 p.m. (Last Admission 5 p.m.)
Encerra a 1 de Janeiro, 6ª-feira Santa, Domingo de Páscoa, 1 de maio, dia de Natal
Closed on the 1st of January, Good Friday, Easter Sunday, 1 st of May and Christmas Day

Preçário | Prices:
Bilhete Adulto | Adult Ticktet - 5,00€
Estudante (c/ Cartão de Estudante válido) | Student (w/ valid Student Card) - 2,50€
Sénior (> 65 anos) | Sénior (over 65 y.o.) - 2,50€
Jovens (< 21 anos) | Youngsters (< 21 y.o.) - 2,50€
Crianças (< 12 anos) | Children (< 12 y.o.) - Grátis | Free
Sacerdotes e Consagrados | Priests and Religious - Grátis | Free

Grupo de Cantares Açordas de Cantigas de Oriola -XIX Encontro de Grupos Corais em Ervidel

Vila Verde de Ficalho

Lançamento do Livro/CD "LUAR DA MEIA NOITE "do Grupo Coral Os Arraianos de Ficalho, Vila Verde de Ficalho, 04-08-2017

Les Canards Chantants

Les Canards Chantants

“The ‘Singing Ducks’ instilled their superb performances with liveliness and theatricality…” - Boston Musical Intelligencer

Les Canards Chantants is a solo-voice ensemble committed to dynamic interpretation of renaissance polyphony. The ensemble has performed to high acclaim throughout the UK and Germany, appearing on BBC One and in venues as diverse as York Minster, The National Centre for Early Music, and Poole’s Cavern. Now newly based in Philadelphia, Les Canards Chantants are Ensemble in Residence at the Glencairn Museum, and their 2015-2016 season includes concerts at the Cathedral Basilica and the Bowerbird series in Philadelphia, the Five Boroughs Music Festival in New York City, collaborations with period-instrument ensembles Piffaro and ACRONYM, and residencies at Brown University and the University of Massachusetts, Amherst. Les Canards Chantants is proud to be a 2015 recipient of an Early Music America Outreach Grant.

Loudspeakers

Loudspeakers were invented in the early 1900s, and they were introduced in mosques in the 1930s, where they are used for the adhan("call to prayer"),^[1] and sometimes for khutbah (sermons).

Outdoor loudspeakers, usually mounted on tall minarets, are used five times a day for the call to prayer, sometimes starting as early as 4 a.m. Some mosques have loudspeakers that are powerful enough to be heard as far as 5 km (3 mi) away.In areas where more than one mosque is present, the loudspeaker sounds overlap one another, especially in the early morning when sounds are more clearly heard. Loudspeakers are sometimes also used inside mosques to deliver sermons or for prayer.

Indonesia, the world's most populous Muslim nation, has recognized that the overzealous use of sound amplification by its many mosques is an environmental issue and appears to be taking official measures to curb the problem.

In India, some anti-noise pollution activists have called for restricting the use of loudspeakers, arguing that religion is not a ground to violate noise rules. In 1999, in debating a proposed blanket ban on loudspeakers atop mosques, some political leaders in India alleged that loudspeakers had been used to create communal tension, and that they had been used to incite a riot in Nandurbar, Maharashtra state, on November 10, 1999.

El Arte de Vivir el Flamenco

El Arte de Vivir el Flamenco 

Sounds from web

Teresa Salgueiro

Teresa Salgueiro

El arte de vivir el Flamenco de Silvia Perea y Paco de Dios

Mine Gez

Mine Gez

Mine Gez - Facebook 

Mi Voz Descalza